William Harms

I’ll be signing at the Top Cow booth at the following times. Be sure to stop by, say hello, and pick up the special Impaler preview book.

• Thursday (7/24): 6-7pm
• Friday (7/25): 3:30-4:30pm
• Saturday (7/26): 10-11am

I’ll also be attending the Top Cow panel on Saturday, which is from 3-4pm.

All of the programming for San Diego Comic-con has been announced, and I will be taking part in the Top Cow panel. It’ll be held on Saturday, July 26 from 3 to 4 p.m. Room 2, Hall H. Be sure to swing by and say hello. Here’s the full announcement for the panel:

“3:00-4:00 Top Cow: Herd It Through the Bo-Vine— Members of the Top Cow Editorial staff and special guests will be on hand to discuss Pilot Season 2008, Broken Trinity, the Witchblade movie, The Darkness, and other exciting, upcoming projects. Panelists include Marc Silvestri (Cyberforce); Seth Green and Hugh Sterbakov  (Freshmen); Ron Marz and Stjepan Sejic (Witchblade); Phil Hester and Michael Broussard (The Darkness); William Harms (Bad Mojo), who will discuss his new Top Cow book, Impaler; and Randy Queen (Darkchylde), who will talk about his new series, Starfall. All attendees will receive a ticket for a special Freshmen signing with Seth Green and Hugh Sterbakov at the Top Cow Booth (#2329) after this program. Room 2″

Arrested Development was, and always will be, the funniest show on TV. Ever. A close second, though, is the wildly offensive (and hilarious) It’s Always Sunny in Philadelphia. The new season starts in September, but in the meantime you can watch all of the previous episodes online (for free) via Hulu. They are well worth your time.

Top Cow announced at WW Chicago yesterday that they will be relaunching Impaler later this year. The trade will be released in October and the new series starts in December. I believe that Top Cow will have a special Impaler preview flipbook at SDCC, and I’ll be at the show to help them promote the relaunch.

Although they were lumped in with the British shoe-gazing music scene, Catherine Wheel really delivered a sound that was uniquely their own. From the hard-rocking Happy Days to the sublime Adam and Eve, CW was truly one of the greatest bands that no one listened to.

Although they broke up after the release of Wishville, singer Rob Dickinson went solo and released Fresh Wine for the Horses through Sanctuary Records a few years ago. Sadly, Sanctuary Records went out of business so the album never got the support it deserved. This week, though, Fresh Wine is being re-released through Fontana. It includes the original album along with a new song called “The End of the World”, which is an amazingly beautiful song. The second CD includes newly recorded acoustic versions of a few CW classics like “Black Metallic” and “Crank”.

I highly recommended that you swing by Dickinson’s MySpace page and give a listen to the sample songs he has posted–if you dig them, follow the link and buy the album.

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We’ve posted a new trailer for Space Siege up on Game Trailers. Swing by and check it out.

Brett Ratner made the Rush Hour movies and the last X-men movie (which was pretty terrible). McSweeney’s contemplates what Ratner’s version of Cormac McCarthy’s The Road might look like.

Hilarity ensues.

Artist Josh Medors (Frank Frazetta’s Swamp Demon, 30 Days of Night) has been diagnosed with cancer and is currently undergoing treatment. Unfortunately, he doesn’t have health insurance.

To help defray the costs of his treatment, there will be a benefit auction at the Emerald City Comic Con the weekend of May 10-11. If you can’t attend EMCC but would still like to help, follow this link to Comic Book Resources for information on what else you can do.

One of the most difficult things about writing is having the courage to realize that something isn’t working and then changing it. Often this can mean tossing out pages of really good work, but the purpose of writing isn’t to string together a series of well-written sentences, it’s to tell a great story.

And that’s what I faced today.

In between my comic book work, I’ve been slowly working on a novel. I was up to around 75 pages, but when I re-read it today, I realized that the nagging little voice in my head that said it wasn’t buying what I was selling was right. The story didn’t want to go the way I’d been directing it. It wanted to go a different direction and it was time for me to listen.

And that’s how a 75 page manuscript gets cut down to 40 pages. But in the end, it’ll have been worth it.